April 2015

From last month's blog post it was pretty clear in my writing that I needed more footage to a final product ready for June 8th (the now decided on release of my film). During April I took one last trip to Murrays, and I think I accomplished exactly what I went there to get. I spent the entire day following Murray around and collecting observational footage of him and his wife. The reasons why: (which I have explained partially in my previous blog posts) to round out Murray’s character, create more than an interview centered film, and to add an element of interest that correlates more to cinematography than to a literary perspective.

 

What’s left?

Post production: meaning I have a rough draft, and I have this new footage that I need to somehow insert into this piece. What I have now is a film concentrated around a talking head, and I want to change that to combine both the literary and cinematographic elements to what I consider a concrete documentary of a man. April was a good month for shooting, but I wish I was farther ahead than I am. I said I wanted to have all the filming done by early February, and obviously that didn’t happen. That said, I’ve learned a lot about timing long scale projects like this one. When you’re looking to make an independent film, I think it’s easiest to see it in three components: the planning, the filming, and the editing. But there's much more to it than that, and I don’t think that by yourself, all those tasks can be accomplished in such a chronological, timely order in which there is no overlap. Not to say this is a negative aspect of filmmaking, my filming process took a lot longer than I thought it would, meaning I have all four seasons included in my film and story that doesn’t only capture one point in time.


By the end of May through early June, my entire project will be finished and showcased. This month is going to take a lot of work to get to where I want to be, but I’m up to the task. The next blog post will be the last; I will be summarizing the finished pieces of work and reflecting on the year as a whole.


One month left,


Fritz    

February 2015

This month I made another trip to Murray’s farm. My notion was that it would be my last trip to the farm, as I thought I could capture every last piece of material I needed to finish the film. This turned out not to be the case, although during the session, I was able to film much of the B-Roll I need, complete a now finished interview, and shoot photos of the farm and Murray. Looking at the footage I got, it became clear to me pretty fast what I needed for Murray’s segment of the film to be complete. I need him interacting with his equipment a working the fields. I need him doing what he does, his job.

I think one of the reasons conducting long term projects is so hard is because of the time commitment; when I do a short term project, I can go in and get the footage I need within a day or two, which makes it really easy to work your ass off for those two days. But, if you’ve got a project that lasts the period of a year, you can still do those two days of excruciating work, but a month later, when you’ve only worked those days, you realize ‘Well shit, I’ve got a gap of time I need to fill up.’ In my case, that means I have half my interview with Murray in the fall, and half of it in the winter. (This of course changes what the environment looks like, the clothing worn, and because I shot my interviews outside, the lighting). This won’t ruin my film, and I don’t think anyone is going to lose attention because of it, but the fact is that my timing is not chronological with the story. Learning this, I hope to not follow these steps when completing projects in the future.

 

For the first time I was able to take portraits of Murray, I of course had footage of his interviews, but a photo session was something I needed to give the appearance of what is to be told through the film. 

There are more updated photos on the gallery page of the project with more of Murray and the landscape of the farm and the animals inhabiting it. Until the film's premier, I will post at least one update a month on what I have been working on and hopefully photos of the progress. 

Quarterly Results

The video above is rough draft of the ideas I will be exploring in my final product. The piece opens with a farmer, Murray, who acts as the primary subject of the film. It then jumps to George, another local farmer who explains the importance of growing organically and what large agricultural corporations do to small and local farmers. The following segment is a reflection of my work over the past 9 weeks:  

Until recently, I really had no idea where I wanted my film to go. I knew I wanted to tell the story of Murray, and to correlate farmers with consumers. But as I was putting together that short video, and looking over my interviews, I found that I could make a story much more compelling than that. I could not only tell the story of Murray with other farmers, but I could give an insight to the future generations of farmers, what it takes to be a farmer in todays world, and how specialized farming (such as growing organic) is so important to local farmers and the environment. Both the farmers you saw in that edit are organic farmers, and when you see the film, I hope I have demonstrated their views on the matter and why they take it so seriously in their work.

Communicating is something I’ve had a lot of trouble with this quarter. From the start of the year, I thought that I could keep up with everyone involved on a daily or weekly basis...and that just hasn’t happened. I’m lucky to have people like Murray who is willing to schedule an interview any time of the week and on whatever week, but that won’t always happen.

An anecdote: I have realized recently, when shooting the Farmers Markets, that it’s a lot harder to get interviews when theres tons of people around...I’ve visited the Durham and Carrboro farmers markets three times, and I’ve got three interviews from them, so being able to communicate and collaborate with these people on more than a customer base is hard and something I desperately need to work on. In my case, that may mean scheduling an interview ahead of time, even when I know it can be done in a matter of minutes.

There have been times where I knew I could go out and get footage, and I didn’t. I have realized over this project that one of the hardest things you have to do is actually get up and improve upon your work. When you have the timeframe of an entire year, the idea of putting off a piece of the project seems almost inevitable. This could partly be due to how I’m trained to act as a student, but I think it’s more correlated with the aspect of finding a topic that you are legitimately interested in, and know that you will be invested throughout the entire process.

Beginning this project last summer, I was uncertain about where I wanted the film to go, but I had an idea, and I had subjects, but it turned out that wasn’t enough. And over the Fall, I lost a lot of my interest in the topic of farming; it could have resulted from the amount of time I had put into its creation, but I think it was more a simple loss of passion. I went through a large dry spot of not getting much done, and not having the motivation to get off my ass. It’s hard to say exactly what I did to get out of the slum, but as soon as I started working again, (going out: getting footage, interviewing, and communicating with the people I was working with) the process quickened and I found myself pushing harder than any other project I’ve done. Concluding: What I’ve found is that unless you have some real passion for what you're doing (whether it be film, math, history, whatever), it’s not going to get done without a real effort and care on your part.     

When it comes down to my actual process, it is the mindset of having that passion, but its also being able to internalize all of the goals and steps you need to get through in order to finish the product. I talked about how at the beginning of of producing this film, I had little knowledge of where the story would go, and I think that has to do a lot with internalizing the information I had, and being able to get a story out of raw materials. If I had not gone back through and watched all of my footage and made that little short, I probably still wouldn’t know where I was headed. Waiting until now to get this far, and create that trailer, it created a weakness that I had throughout most of my filming: which was not knowing exactly what I should be filming, what I should be doing to push myself. Fortunately, I got it done and at the stage I’m at now, I know where I need to go and I know what’s important for me to get done. And it turns out its nothing like the outline I had at the beginning of filming, it’s completely different, and I need to work through it and set new guidelines and topics that were not previously addressed.   

Filming at the Farmers Market

Last week I shot at the Durham Farmers Market (picture below). During the trip, I shot two time-lapses, and some B-Roll which can be used over the interviews I am/have conducted at the Carrboro Farmers Market. 

Over the past couple months I have been in the production stage of my film, I have been shooting and conducting interviews with farmers. And, although I have shot on numerous occasions, I cannot say I am satisfied with how much I have done as of now. Coming into production, I expected to shoot at least every other weekend. That didn't happen. I had no idea how much time would actually be needed to get out and shoot, as most of my shots are from Carrboro and Murray's farm (which is another 45 minutes outside town). However, this is not an excuse for my minimal shooting, I have struggled with motivation and an incentive to work for the entirety of my project. And just recently discovered how easy it is to let that loss take over you, how easy it is to get by without much of an effort, while managing to putting in just enough to trick yourself into satisfaction.  As of now, I can't say that my motivation is at a full potential, but the recent work I have done to shooting and preparing for the future of my film has helped me pull myself out of that slum. Over the coming couple months I plan to shoot as much as I possibly can, not only because I know this project needs to be done by spring, but because it will help me succeed in the projects I do later in life. I will also post updates over the coming weeks during my shooting sessions to keep the blog going. 

Below I have attached a photo from one of the time-lapses I captured last Saturday on my shoot at the Durham Farmers Market.

October 13th, 2014

On this trip, I interviewed, and took pictures of Murray and his farm. The progress has been slow, but I four interviews under my belt from a few farmers and a baker. My work over the past few weeks has been primarily organizing footage, shooting a couple interviews, and collecting B-Roll from the Carrboro Farmers Market. 

DSC_0115.jpg

July 7th , 2014

The first trip to the farm: Before this, I had never met Murray or really anyone involved with local farming. In this trip, I got a look at the farm and an idea of where I wanted the story to go. 


The following images are taken from this trip and are screen shots of the locations used during the film.